• Art
  • Age 9 to 11 (KS2)
  • Age 11 to 14 (KS3)

Use these sources to understand more about propaganda poster campaigns, and the artists behind them, during the Second World War.

 

CURRICULUM LINKS AND LEARNING OBJECTIVES

  • Challenges for Britain, Europe and the wider world, 1901-present - KS3/4. 
  • Warfare and British society, c1250-Present - GCSE.
  • To explore the concept of propaganda and how it was used in Second World War posters.

1. What were people encouraged to do with their clothes?

Posters

Make Do and Mend

the image fills the majority of the design with text in black positioned above. Text in green is incorporated in the lower right of the image within a box. image: a young woman sorting through a wardrobe of clothes. text: Go through your wardrobe Make-do and Mend.
Image: IWM (Art.IWM PST 4773)

Clothes rationing was introduced by the British Government in June 1941. It was essential raw materials were not wasted as factories were utilised for the production of weapons. The Make Do and Mend campaign was launched by the Board of Trade in 1942. This poster was illustrated by Donia Nachsen to encourage people to repair their clothes and make use with clothing they already had.

Posters

Donate rags

a full-length depiction of a short, elderly man walking along, leading a figure made from old patched clothing by the hand. The man wears a medal ribbon and gives a 'thumbs-up' gesture to the viewer.
Image: IWM (Art.IWM PST 14752)

The artist John Gilroy has featured a dustman leading a figure made of rags for recycling. This poster was designed in 1943 to encourage people to give any fabric material to the rag collector for salvage. Rag could be used to make uniforms and blankets for soldiers.

2. What were people encouraged to do with their food?

Posters

Grow their own

 the upper image is a full-length depiction of a man and woman, kneeling with their two children on a rug. They all look at a poster illustrating various vegetables. The lower image is a depiction of the same family seated at a table, with the woman serving food on to their plates.
Image: IWM (Art.IWM PST 16992)

In 1939 Britain was reliant on cheap imports of food from overseas, and only 30 per cent of food was home-produced. The introduction of rationing by the Ministry of Food was therefore inevitable in January 1940 and families were encouraged to grow their own. By 1943 there were over 1.4 million allotments, producing over a million tons of vegetables that year.

Posters

Eat in moderation

a plate with cutlery on a checked table-cover. text: A clear plate means A clear conscience Don't take more than you can eat
Image: IWM (Art.IWM PST 2814)

The need to change the public’s attitude towards waste and portion size was very important when food supply was limited. People were encouraged not to waste food or to take more than they needed. In this poster James Fitton captures the positive message of austerity that the Ministry of Food were keen to promote.

Posters

Drink milk

a pink outline of the back view of a young boy, drinking milk from a cup held in his left hand. Superimposed on his back is the shape of a large white milk bottle which appears to glow. All is set against a black background. text: MILK THE BACKBONE OF YOUNG BRITAIN.
Image: IWM (Art.IWM PST 4944)

Illustrated by James Fitton for the Ministry of Food, c. 1942. Increasing calcium intake amongst vulnerable sections of British society was a priority for the Ministry of Food. Milk rations were increased for pregnant women and children as priority groups. The initiative’s legacy would be the provision of free milk to schoolchildren from 1946 until 1971.

Posters

Supply their own food

a depiction of a small patch of cultivated land from which new crops sprout. A garden fork and spade stand upright in the soil, holding up one end of a table. The handles of the fork and spade penetrate the table and form into cutlery: a fork and a knife. The table is set with a plate of food and a mug, next to which a soldier's cap lies. text: A. GAMES ..every available piece of land must be cultivated GROW YOUR OWN FOOD supply your own cookhouse.
Image: IWM (Art.IWM PST 2893)

Abram Games was appointed Official War Office Poster Artist and created this effective poster to encourage people to grow their own food using all available space. The connection between the food grown in the ground and the food on your plate was one the government was keen to emphasise, particularly for those who lived in built up areas and were not familiar with growing their own fruit and vegetables. 

3. How were people encouraged to stay safe?

Posters

Share shelters

a depiction of the head of an air raid warden, blowing a whistle. He wears a helmet with the letter 'W' on the front. text: in a raid - Open your door to passers-by - They need shelter too T.P.
Image: IWM (Art.IWM PST 13874)

Tom Purvis designed posters for the Ministry of Supply and for National Savings. This poster was designed to remind people to share their shelters and help others take cover when the air raid sounds. People were encouraged to stick it on the inside of a door as a handy reminder.

Posters

Be noticed

a black square filled with coloured text, which is designed to represent the remarks of people bumping into each other during a blackout.
Image: IWM (Art.IWM PST 3751)

The blackout caused an increase in road traffic accidents and personal injuries. People were encouraged to wear something white such as a glove or badge so that they could be spotted. Fougasse was the pen name of Cyril Kenneth Bird, a cartoonist for Punch and illustrator for London. He offered his services to the Ministry of Information to design this poster free of charge, believing humour could unite British people in joint action. 

Posters

Evacuate the children

a depiction of a woman sitting with her two children under a tree in the countryside. A spectral figure of Adolf Hitler stands behind the woman, trying to persuade her to take her children back to the city. He taps the woman on the shoulder and points towards a view of London in the far right distance, where barrage balloons float over the outlines of St Paul's Cathedral and Big Ben.
Image: IWM (Art.IWM PST 8235)

In 1939 when this poster was made heavy bombing of the urban areas of Britain was predicted. When the first wave of evacuation began on 1st September 1.5 million children were moved, most in school groups. However, as no bombing occurred during the first year known as the Phoney War nearly half of all evacuees returned home by January 1940. This poster was used to encourage mother’s to keep their children out of London  as Hitler appears as a ghostly figure trying to get her to take her children back home. 

4. How were people encouraged to salvage?

Posters

Join the COGS

the lower image is a full-length depiction of several British infantrymen operating an artillery gun. The shoulder-length depictions of four boys and a girl are positioned above, looking over the top edge of the lower image.
Image: IWM (Art.IWM PST 14738)

Children were encouraged to help the war effort by collecting metal, paper and rags for recycling. On this poster, soap cartons have been used in the manufacture of artillery shells. Children could earn the red Junior Salvage Steward cog badge as shown on the poster for their salvage efforts. The “Cogs” even had their own song which began “There’ll Always be a Dustbin” sung to the tune of “There’ll Always be an England” which gave them a sense of belonging.

Posters

Raise funds and save

A portrait of the cartoon character the Squander Bug, set within a design of a 'Wanted' poster pinned to a wall
Image: IWM (Art.IWM PST 3406)

The Squanderbug was created by artist Phillip Boydell, an employee of the National Savings Committee. The Committee raised funds by urging the public to save their own money and invest it in the war effort. The cartoon bug appeared in press adverts and poster campaigns as a menace who encouraged shoppers to waste money rather than buy war savings certificates.

Posters

Recycle bones

a full-length, stylised depiction of a young girl, carrying an oversize bone under her right arm. A bucket of glue, superimposed with the image of a house, is positioned in the background left. A sack, superimposed with the image of cereal crops, is positioned in the background right.
Image: IWM (Art.IWM PST 14686)

Recycling was very important during the Second World War. Relentless attacks on British and Allied shipping meant that Britain had to be self-sufficient. People were encouraged to recycle animal bones for their multiple uses, such as glue and fertilizer. The Czech artist Dorrit Dekk, moved to London from Austria after the 1938 Anschluss and designed many posters, including some for London Transport.

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