Scene from the Bayeux Tapestry showing a female figure within an arched frame next to a priest.

The women of the Bayeux Tapestry

Online events / Lectures & discussions / 20 November 2026

18+

Event information

20 November 2026

18.30–19.30

Reading Room; and online via Zoom

Price

  • £50
  • £42 (Concessions)
  • £6 (Online)

18+

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Join historian and presenter Kate Lister, Project Curator Millie Horton-Insch and Professor of Medieval Studies Bob Mills for a lively discussion on the women of the Bayeux Tapestry.

Only three women feature in the central frieze of the Bayeux Tapestry, and three more anonymous women feature in the decorative borders. Only one – the enigmatic Ælfgyva – is named in the inscription. Why is this? Though few in number, the appearances of these women mark significant moments in the story and raise intriguing questions about identity, power and status in 11th-century England.

These women may represent historically significant figures. One is commonly identified as Queen Edith, wife of Edward the Confessor, a sizeable landowner in her own right and likely one of the richest individuals in the land. The identity of Ælfgyva remains one of the Tapestry's greatest mysteries. Historians have suggested she may be Emma 'of Normandy', mother of Edward 'the Confessor'; Ælfgifu 'of Northampton', wife of King Cnut; or Ælfgifu 'of York', first wife of King Æthelred 'Unræd'. 

A third unnamed woman is depicted fleeing a burning building set alight by Norman soldiers while gripping the hand of a child. Her appearance marks a significant turning point in the narrative as the story moves towards the Battle of Hastings.

Learn about the possible identities of the women of the Bayeux Tapestry, explore their significance within the narrative, and consider why so few women appear in this extraordinary work.

Content notice: this discussion refers to sexual violence, violence and sexual themes.

This event is part of the public programme supporting The Bayeux Tapestry (10 September 2026 – 11 July 2027).

To attend this event

You can join this event in person, or online via Zoom.

Attend online via Zoom – £6

  • Book now to reserve your place online. Booking will close at 17.00 on Thursday 19 November.
  • We are hosting the event on Zoom – a free video conferencing system that requires users to register in advance. If you do not already use Zoom, you can sign up using this registration link.
  • You'll receive a link to access the event livestream on the morning of the talk.
  • This event includes live captioning provided by Stagetext and delivered by MyClearText.
  • Read our booking form privacy policy.
  • You'll be sent a copy of the recording after the event.

Attend in person – sold out

  • Your ticket includes timed access to The Bayeux Tapestry. This access is non-transferable and can only be redeemed after this event.
  • Concessions include Disabled visitors, job seekers, students and 16–18 years. The event is free for Disabled visitors' assistants (booking required).
  • Please show your confirmation email or paper ticket to our Visitor Welcome colleagues. They will guide you to our security check and bag search before entering the Museum.
  • Doors to the Reading Room will open at approximately 18.00 for the audience to take their seats.
  • Please note only bottled water is permitted in the Reading Room. No food or other drinks are allowed.

About the speakers

Dr Kate Lister is a historian, columnist and television presenter. She is the author of FLICK: The Story of Female Pleasure, A Curious History of Sex (2026) and the host of the award-winning podcast Betwixt the Sheets: The History of Sex, Scandal and Society. Betwixt the Sheets won the Listener's Choice Award at the 2025 British Podcast Awards

Dr Millie Horton-Insch

Dr Millie Horton-Insch is an art historian of textiles made in early medieval Britain and Ireland. Her research focuses on the relationship between textiles and the construction of categories of identity in this period. Horton-Insch completed her PhD in History of Art at University College London in 2024 and is the Project Curator of The Bayeux Tapestry at the British Museum. In January 2027 she will start as Lecturer of Dress and Textile Histories at the University of Glasgow.

Prof Bob Mills

Prof Bob Mills is Professor of Medieval Studies in UCL's History of Art Department. Mills has longstanding interests in sex, gender, desire and embodiment in the Middle Ages and has published widely on these themes. His books include Suspended Animation: Pain, Pleasure and Punishment in Medieval Culture (2005) and Seeing Sodomy in the Middle Ages (2015). Other abiding interests include saints, animals, monsters and medievalism. Mills is currently completing a study of wildness in medieval art, tentatively entitled Wild Forms.

Privacy policy

The personal data you provide to us on the event booking form is being collected so that we can administer the event efficiently and, if necessary, contact you with important updates about the event and to ask for your feedback. It will only be used by the British Museum for this purpose, it will not be shared with any third parties and it will be securely deleted as soon as reasonably practicable and no later than a month. This privacy information does not apply to the processing of your personal data by Zoom which will be governed by the terms of the agreement made between you and Zoom when you subscribed to their service.